My teacher from LA used to say to me: “Keegan, you’re like a guilt machine. I could put a quarter in your mouth, pull your arm and guilt would come pouring out.” Sadly, it has always been true of me, that guilt has been a pox upon my proverbial house, but this instance seems to particularly be niggling at me. It is indeed nonsense to feel sorry for yourself when there is war and famine and cancer and cruelties and misfortunes by the thousands every day, but it is also a particular crime to wish for a different life when you are staring full-faced at the one thing that came from all that - and she’s perfect. So I feel guilty that I could ever wish for things to have gone differently because this lovely child of mine is the most incredible incarnation resulting from every decision I have ever made, good or bad. Yes, I realize that, as with deaths or miscarriages or broken marriages I would have loved ‘the other’ child just the same, but it would not be a right and good world to me without this child, without Nahanni -- and yet...
And yet.
I cannot help but wish that my career path had gone differently, that I had known better, that circumstance would not have interfered the way it happened to do. I rather miss having a very good six-figure income and I miss red carpets and magazines and the security (both financial and psychological) of having a series. I also miss getting to play characters into which I could really throw myself, challenging myself to live in their skin, if only for a short while. I miss all that very much and I think often of Deepak Chopra’s ‘7 Spiritual Laws of Success’ where he talked about the fact that if you take your success from things like cars or cash or careers that when they go, so too will your self-esteem. I have held fast to that since I first heard it on one of my long, lonely drives down to LA and I understood that I would always have to fight the notion that ‘me’ and ‘my work’ were one and the same; that being especially true in a business where degrees of success seem very gray indeed, where you aren’t really considered successful unless you are famous and you can be famous without ever having done a damned thing of any merit.
Of course, I adore Nahanni and what she has brought to my life, to our life, far outstrips any red carpet experience. The bins of (um, largely unanswered...sorry) fanmail downstairs weigh nothing in comparison to the stark wonder and beauty of having this child.
And yet.
It’s just hard to reconcile sometimes, but particularly right now while this interminable strike drags on and I am watching the walls of the business that has been building and thriving in Vancouver begin to sink in on themselves and I am wondering, along with the 40,000 or so other film professionals in this city what will become of us. It is all good and well to think that we could all move to LA and start again, but we are not all 20 any more and some things just aren’t as available as they once were. And, truth be told, the same things that held me back from making a wholesale move there are truer today than they were in the throes of it all. Granted I was absolutely ready and preparing to move us down there when 911 happened (and one can hardly complain about its effects on one’s career when the real tragedies are so baldly apparent) and then again when the dust had settled some and then I got Jake 2.0 which, of course, filmed up here. And then there was the sagging dollar, and the fact that it would cost me $10,000 to do pilot season for a few months, and I simply sometimes just missed my home and my husband and my cats and my life. But there was also a very large political element; I was never really able to separate my politics from my career - I really, genuinely struggled with the idea of living in the US, with its lack of health care, with its actor/governor, with its highly questionable President (about which I could, as a non-citizen, do nothing about, ever). I struggled with the sheer crush and volume of people, with the blatant celebration of riches and vanity that is such a major part of the fabric of Los Angeles, the vast chasm between rich and poor that is so evident there, with the traffic and the concrete and the brown, hazy blanket of sky that depressed me so much I just stopped looking up. I could never quite feel comfortable there knowing two of my closest friends there had both been robbed at gunpoint, with the helicopters circling in the sky like locusts, their long, harsh lights stabbing the night like tentacles of some horrid mechanical octopus, searching for the man who’d shot the bank security guard in bald-faced daylight only blocks from where I lived -- on the edges of Beverly Hills. Or the two times I was at the grocery store down the street when someone got stabbed. It always interfered with my notion of what I wanted for my career - the things which I wanted for my life.
And now I have her and even more than ever health care and liberal politics and clean air and safe streets matter to me and so I find myself wondering what the hell to do if the whole thing falls to pieces here, if the industry collapses in on itself. It is very possible that the dollar will fall some, the government will make some concessions and tax breaks and we will once again have small scraps from the American table to sustain us. But I wonder, along with many others what will become of us now that we have learned to rely so heavily on the US and have not learned to fend for ourselves. A producer from Vancouver recently said that we should have had more foresight, what did we expect being a ‘service industry’ - and he’s right, but still, where does it leave any of us? I suppose we are still, as they say in reference to our role in the industry, 'Mexicans in sweaters'.
All I know is that I am a mother first and an actress second. It surprises me to find myself here, when my whole life, even in university and while I traipsed around as much of Europe as I could see on my meagre savings, I have always wanted to be an actor, have always felt born to it. I honestly do not know quite how to reconcile myself to the fact that I let things like my politics and, if I am honest, my fears too, to get in the way, but I also know that I have tried for many, many years to build for myself a simple life, based on core values that I feel would sustain me whether people liked me or not, whether I was famous or not, whether I had fans or covers or awards or money...or not. I have a daughter now and I know that the way I want, we want to raise her is not terribly conducive with the environment in LA (which is not to say that there are not people there raising perfectly wonderful families, of course) and so I wonder where that leaves me. I know that I want her to have opportunities, but I also want her to live in nature, to know rapidly running rivers and tall trees and high mountains and clean air and peace and safety and the simplicity to believe that what she looks like and what kind of car we drive is not the sum total of her value. I am not a fool, I know these issues are endemic to the Western life in general, but I can make choices to mitigate the effects of those things and I think where and how we choose to live is a big part of that. The only problem is wondering what the hell to do now if the bottom falls out.
Yes, sometimes I do wish it had gone differently, that the things I know now I could have known then, but who is immune to that notion? Besides, when I step into my daughter’s room in the morning and she raises her gorgeous tousled curls to me and I see those sable-lashed brown eyes that I somehow made, I know all is as right as it can be and that as all roads once led to Rome, all that I have has lead me to her, and her to me and together we will walk the next fork in the road and live the next part of the adventure in all its glory and all its pain and that there will be lessons and regrets there too, but I will always know that I did it for her. And I will never feel guilty about that.
Things change in life and when we do not learn to change and roll with them, we stagnate. We boil in our own broth of resentment and self-pity and I am not interested in the flavour of that bitter stew, though I have tasted it often enough. All I have every really wanted was to live a life less ordinary, and I have done so in myriad ways. Some has been because of movies; strutting the red carpet at Madison Square Gardens and parties with Ben Affleck and Renee Zellweger and shooting a movie in the incredible Suleman Mosque in Istanbul and kayaking down seething rivers and making babies in the stark wilderness of a Yukon river trip. I live to do the things that are outside the box and truthfully, when I stare down the thought of living in a $900,000 Stepford townhouse in the suburbs of Vancouver for 20 years I shudder. Frankly, that scares me more than not being an actress anymore. We continue to dream of the crazy schemes that populate our wishing hours, the mothership business, the lodge in Costa Rica, the rafting company we've been trying to buy for years so that Ez can have his dreams too. I've been thinking a lot about that lately and I'm starting to look at this chaos as containing opportunity (I don't have that tattoo for nothing...) If it is all about to fall apart, perhaps this is the time to run out into the jungle of our next adventure, to live a different life less ordinary. I think of how Ez has, for more than a decade, subjugated his dreams, his path, so that I could follow mine and I wonder if it is time to let him have his dream before it is too late, before his body, which he has been very rough on, decides it is not interested in being cold and wet and filled with adrenaline. Before we settle into some sleepy suburban waking-dream from which we do not rouse until it is too late.
Now that would be something to feel guilty about.